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A cover that almost made itself. A reject from a series of photos taken years before by Oliviero Toscani for a campaign promoting the UNHCR (United Nations High Commission for Refugees), representing a bloodstain and that had unexpectedly taken on the shape of Mickey Mouse. What other image could so powerfully have represented the threat of widespread monoculture that Colors attempt to counteract?
€13.00
Thirty-two teams. One golden trophy. This summer, an elite selection of extraordinary footballers finally comes...
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In the past quarter century, the world’s migration rate has doubled. Today, 232 million migrants...
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COLORS 88 – Protest tells stories of how protests start, spread, triumph, are repressed and...
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What distinguishes a conceptual masterpiece from a bit of urban debris? A renowned painter from...